A feminist dystopian by a Margaret Atwood mentee, nominated for the Bailey’s Prize. It almost sounds too good to be true.
Well it isn’t. The Power by Naomi Alderman is everything I wanted it to be. The book is simultaneously a deeply personal and epic exploration of the gender-power dynamic in the modern day.
The premise is fairly basic: what if, overnight, the power shifted? What if one day, the literal power was in the hands of teenage girls?
In Alderman’s future the ‘Day of the Girls’ sees women gaining a superhero-esque electric power, giving them the physical means to not only equal men, but to overpower them. However, Alderman is far too clever to make this a simple ‘girls run the world’ story, instead reflecting the complexities of patriarchal society in her dystopia.
The story is told through multiple focalising characters, giving an expansive view of the way the world changes, across the US, Europe and the Middle East. The different characters are complex, all dealing with the phenomenon in unique ways. As well as seeing the perspective of a variety of girls and women; Allie, a runaway, Roxy a british teen and Margot a US politician, Alderman offers us the perspective of male journalist Tunde.
“She cuppeth the lightning in her hand. She commandeth it to strike.”
The story spans years of changes and illustrates a gradual but seismic shift, however Alderman offers us nuance – as well as women gaining power, we see women abusing that power. Oppression of and violence against men becomes widespread, however, women are still targeted and gender specific violence is enacted against them. Women become leaders, yet many are still hiding and on the run, at the hands of just as violent a regime as before.
Clever tropes and symbols litter the story, illustrating these changes for us – for example the news anchors Tom and Kristen, who debate the issues, yet as time passes Tom is replaced by a younger man and Kristen becomes the intelligent authority on political affairs and economics. In between chapters we see scientific explanations and archaeological finds explaining what has occurred, and short of those which incorporate humorous references to modern technology, it may have you beginning to question your historical knowledge.
Alderman combines dystopia with horror, humour and satire to create a perfectly crafted inversion of patriarchy. This book should be required reading for everyone to understand exactly what gender inequality is and means, not just for women, but for men too, who are also disadvantaged by patriarchy. Ultimately, Alderman shows that women are human, we are capable of the same mistakes, vices, and atrocities as men. There is no such thing as a female utopia and ultimately tying power to gender has no positive outcomes.
The Power is a compelling treatise on all the problems of patriarchal society – from objectification to sex trafficking – however, it is also an engaging story about empowerment and the danger of power.