The second week of the challenge was a lot slower than the first. I should have rocketed through the next few books on the list as they were so short but unfortunately life got the better of me this week. On the plus side I finished two books which made another great pair, as well as starting two seemingly different books without realising that they actually had a similar theme.
My first book of the week was The Bloody Chamber by Angela Carter, a series of short stories which rework well known fairytales. These stories are often pinpointed as feminist due to advocating female agency, and dealing frankly with, and embracing, female sexuality. The stories presented show a range of women from heroines to victims, including women who openly undergo sexual awakenings and come to terms with their bodies. Many stories, for example those based around Beauty and the Beast or Red Riding Hood, use transitional states to explore the significance of the body in female sexual identities.
I decided to read a graphic novel alongside The Bloody Chamber for the way it deals with genre; Ms Marvel reworks conventions of superhero genre. Kamala Khan is the first female Muslim lead of her own comic. Her origin story follows the typical trajectory of feeling at odds with the world and so assuming a superhero identity and larger purpose. She discovers the ability to shapeshift and initially starts to save people in the guise of her hero Captain Marvel. However, rather than hiding behind a blonde Captain Marvel – which she could do if she desired, she chooses to embrace her Muslim identity, with a costume based upon the traditional ‘salwar kameez’ . As in Carter’s stories, transitional states become a symbol of Kamala’s struggles as unlike her hero, her super-power is to shape-shift. This also breaks typical conventions of idealised and sexualised female bodies in the genre, as she is often depicted disproportionately and she can manipulate and use her body the way she wants to.
The next two books I have started Bad Girls Throughout History and Bad Feminist are both non-fiction. The first is an illustrated compendium of the stories of 100 remarkable women who changed the world, while the latter is a series of essays by Roxane Gay. Both reclaim the word ‘bad’: Ann Shen looks at how all of these women broke rules and pushed boundaries to make change, while Roxane Gay uses it in acceptance of the fact that there is no one perfect form of feminism. Either way these books make being ‘bad’ not so bad after all.
I’ll be ploughing on with these books over the next week and hopefully also starting On Beauty to complete my original list. Stay tuned!